Barbara Goldberg’s poetry has always displayed an insatiable appetite for grief and desire.
Almost a half-century before Donald Trump signed on to the fraudulent notion that President Barack Obama’s American citizenship and constitutional legitimacy were suspect, Robert Welch (1899-1985) reached an equally alarming conclusion about the president of his day, Republican Dwight D. Eisenhower.
Calvin Trillin, an incomparable reporter, brought his wry, Midwestern Jewish perspective to coverage of the 1960s Civil Rights Movement, first for Time magazine and then for The New Yorker. He once observed, tongue in cheek, that it must have been awfully crowded in the South back then “behind the scenes.”
For liberal supporters of Israel, the unresolved status of Palestinians in the West Bank and Gaza presents a dilemma: a choice between a single state with so many Arab citizens as to inevitably dilute the Jewish character of the country, or the insistence of control over but denial of equal rights to millions of Palestinians, diluting if not destroying Israel’s democratic character.
As the author of five highly regarded novels, ranging from the award-winning In the Image (2002) to the memorably time-shifting Eternal Life (2018), Dara Horn is recognized as an accomplished fiction writer and as a storyteller who draws inspiration from centuries of Jewish history.