Calvin Trillin, an incomparable reporter, brought his wry, Midwestern Jewish perspective to coverage of the 1960s Civil Rights Movement, first for Time magazine and then for The New Yorker. He once observed, tongue in cheek, that it must have been awfully crowded in the South back then “behind the scenes.”
For liberal supporters of Israel, the unresolved status of Palestinians in the West Bank and Gaza presents a dilemma: a choice between a single state with so many Arab citizens as to inevitably dilute the Jewish character of the country, or the insistence of control over but denial of equal rights to millions of Palestinians, diluting if not destroying Israel’s democratic character.
As the author of five highly regarded novels, ranging from the award-winning In the Image (2002) to the memorably time-shifting Eternal Life (2018), Dara Horn is recognized as an accomplished fiction writer and as a storyteller who draws inspiration from centuries of Jewish history.
In this time of corrective unnamings—to remove traces of admiration or gratitude for the morally reevaluated—the names of unrepentant slaveholders, Confederate generals, contemporary sexual predators and other assorted wrongdoers have been erased or proposed for erasure from college dorms, military bases, city streets and more.
How did the Satmar Hasidim come to dominate the Brooklyn neighborhood known as Williamsburg?
At the Museum at Eldridge Street’s Egg Rolls, Egg Creams and Empanadas street festival—a celebration of Ashkenazi Jewish, Chinese and Puerto Rican communities held each summer (pre-pandemic) on New York’s Lower East Side—groups of Chinese Americans and American Jewish women play mahjong side by side, sometimes pausing to teach younger festivalgoers how to play.