In her latest review, Film Editor Dina Gold discusses White Eye, a new Israeli short film about racism and prejudice.
In an era when a new wave of movies pushed the boundaries of mainstream filmmaking, Midnight Cowboy stands out as the riskiest, most unconventional, and most successful of them all. Glenn Frankel’s new book, Shooting Midnight Cowboy: Art, Sex, Loneliness, Liberation, and the Making of a Dark Classic, explores the making of the only X-rated film to win a Best Picture Oscar and offers a window onto the creative ferment and social unrest that gripped New York and America in the 1960s: the rise of gay liberation, the treatment of sexual themes in popular culture, and the role of Jewish artists such as director John Schlesinger and star Dustin Hoffman. Glenn, a Pulitzer Prize winning journalist, in conversation with film historian and scholar Rebecca Prime, managing editor of Film Quarterly.
Every few years, a YouTube clip makes its way around the literary corners of the internet: A young Cynthia Ozick stands up at a 1971 panel on feminism featuring Norman Mailer.
Let’s get this part out of the way first: Antiquities is, by my count, Cynthia Ozick’s 24th book, and she is publishing it at the age of 92.
Fania Oz-Salzberger, Ruby Namdar and Rokhl Kafrissen join in conversation about what it means to adapt Jewish literature for the big screen.
While many Jewish filmmakers choose to write their own material and draft their own stories, others turn to interpretation. This program compares two films that share biographical features, Yentl and A Tale of Love and Darkness. Though released decades apart, both were directed by acclaimed actresses making their directorial debuts, Barbara Streisand and Natalie Portman respectively. These women notably adapted literary works written by men and their star power was critical to getting these films made.
Historian Fania Oz-Salzberger shares personal insights about her father, acclaimed Israeli writer Amos Oz, and his autobiographical novel A Tale of Love and Darkness and author and educator Ruby Namdar considers the film and the legacy of the memoir. Critic and playwright Rokhl Kafrissen explores Yentl, based on a play and short story by Isaac Bashevis Singer.
This program is a collaboration between Moment Magazine and REWIND: The Shenson Retrospective Film Series, a project of Stanford’s Taube Center for Jewish Studies. Both movies can be watched on Amazon Prime.
In February, in a case that made international headlines and provoked widespread condemnation, a court in Warsaw ordered two Polish historians of the Shoah to apologize to an elderly woman from the village of Malinowo for having “inexactly portrayed” her uncle Edward Malinowski, the village’s wartime headman.
In the rise and fall of Hitler’s Germany, villains, victims and heroes figure profusely and are easily recognized.
