A Charming Children’s Book Emerges From the Devastation of October 7
“Nothing is by the book in this story.”
“Nothing is by the book in this story.”
With war not too far from Lithuania’s borders, the hopefulness emanating from the warmth and tactile nature of the tapestries and the vibrant ceramics provides much needed comfort.
“I think for most of us, we’re looking for stability or safety. But life isn’t stable and a surprise is always coming. That’s what makes life, the movement of things.”
Fans, gowns, beaded dress pumps, even a French hat ornament constructed from the stuffed body of a bird-of-paradise, complement the 50 paintings assembled for “Fashioned by Sargent” at the Museum of Fine Arts, Boston, currently on view through January 15, 2024.
Sometime in the late 1970s, my father-in-law, who owned a bookstore in Chicago, arranged a book-signing party for the photographer Richard Avedon.
Visionary Swiss artist Meret Oppenheim’s paintings, drawings, sculptures and collages demonstrate both a daredevil freedom and an obdurate determination.
As is often the case with material culture, the Seifter menorah tells a complex story.
Looking into the calm of artist Carl Moll’s 1905 White Interior feels something like inhabiting the imaginative space at the periphery of a dollhouse.
Frances Brent discusses a new exhibit of Russian-Jewish painter Philip Guston’s sometimes controversial art.
Slightly more slender than life-size, Moses sits on an unadorned stone bench, supporting the tablets with his left hand and making the apparent sign of benediction with his right hand.
I have a personal interest in the carved Japanese netsuke, or figurines, that are at the center of the New York Jewish Museum’s current show “The Hare with Amber Eyes,” on view through May 15.