Visual Moment | New Angles on a Sacred Land
“It came to me that a view of Israel through his unique lens would capture the people and land in a fresh, moving, artistic and informative manner.”
“It came to me that a view of Israel through his unique lens would capture the people and land in a fresh, moving, artistic and informative manner.”
“I think for most of us, we’re looking for stability or safety. But life isn’t stable and a surprise is always coming. That’s what makes life, the movement of things.”
Sometime in the late 1970s, my father-in-law, who owned a bookstore in Chicago, arranged a book-signing party for the photographer Richard Avedon.
On April 10 I attended the opening ceremony for Lest We Forget, a photo exhibition of Holocaust survivors at the Reflecting Pool by the foot of the Lincoln Memorial.
From 1940 to 1945, Ross was the official ghetto photographer, tasked with providing a picture of every prisoner. About 3,000 of his images survive.
Maya Benton was a high school senior living in Los Angeles when the Russian-American photographer Roman Vishniac’s first posthumous book, To Give Them Light, came out in 1993. Renowned for his iconic images of Eastern European Jews taken between the two World Wars, Vishniac had died three years earlier at age 92.