The art Landau has created in this primal moonscape, the lowest land-based elevation on earth, explores the dualities of life and death, injury and healing, destruction and hope—a central theme of the current exhibition and a motivating force behind Landau’s art.
In a conversation with drummer Max Weinberg, a few things become clear after a beat or two.
Looking into the calm of artist Carl Moll’s 1905 White Interior feels something like inhabiting the imaginative space at the periphery of a dollhouse.
Frances Brent discusses a new exhibit of Russian-Jewish painter Philip Guston’s sometimes controversial art.
For eight weeks during the summer of 1934, a 17-year-old high school student from New York by the name of Richard J. Scheuer (known to family and friends as Dick) and his father, Simon, traveled through Europe.
Walking through the exhibition of artist Man Ray’s photographs at the Virginia Museum of Fine Arts is like stepping into a time machine.
Judy Chicago always wanted to be an artist. “From the time I was a child,” she writes in her 2021 autobiography, The Flowering, “I had a burning desire to make art.”
A new exhibition highlights the story of how some of the world’s most iconic European paintings left Germany immediately after World War II and ended up touring the United States in what became the first blockbuster art exhibition of our time.
In the sumptuous catalogue for the New York Jewish Museum’s late summer exhibition, Afterlives: Recovering the Lost Stories of Looted Art, on view through January 9, 2022, a cropped image of French artist Pierre Bonnard’s color-diffused painting Still Life with Guelder Roses appears alongside an army photograph of the salt mine in Altaussee, Austria, where the Nazis secreted looted art and other treasures.
Own a piece of history! This was what the listing for the “Solomon Cohen House,” built in 1875, urged prospective buyers to do.
