In Prince of the Press, Joshua Teplitsky brings us inside David Oppenheim’s library to explore the ways this collection both reflected and shaped the intellectual heritage of Central European Jewry.

The great French film director Jean-Luc Godard called Ben Hecht a “genius” who “invented 80 percent of what is used in Hollywood today.” Yet most modern American Jews have likely never heard of Hecht, despite his eminence as a playwright, best-selling novelist and screenwriter of a host of Hollywood film classics.

American Jews may not know their way around the Talmud or much about Jewish history, but they sure do excel at soul-searching and have for many, many years. In the late 19th century, in the mid-20th and again in our own day, taking the community’s pulse—and finding it weak and listless—has been a common pursuit and a constant refrain.