The Conversation
I had difficulty finishing this piece since I was laughing so hard that my vision was blurry.
I had difficulty finishing this piece since I was laughing so hard that my vision was blurry.
Today, another of my usual jogs—the thousandth step of a thousandth run, every run varied enough to include something new.
First speech is the speech of love.
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In American culture, the word “hallelujah” is so associated with Christian prayer and music—and overall rejoicing and jubilation—that people often forget it is originally Hebrew.
In 1950, Rose Joshua and Fannie Schanfeld met with H. David Dalquist, owner of the Scandinavian cookware manufacturing company Nordic Ware, to discuss a proposal.
Midsummer, in an aging subcompact rental car, because that was all we could get, my husband and I took a civil rights tour through the Deep South.
In the 1930s, America failed to stand up to Nazi actions against the Jews. Will history repeat itself with the Uyghur minority in China’s Xinjiang region?
“Wherever she sat and led the discussion, there was the head of the table.” Thus observed an early associate of Henrietta Szold’s in Hadassah, the powerhouse American women’s Zionist organization that she founded in 1912.
For liberal supporters of Israel, the unresolved status of Palestinians in the West Bank and Gaza presents a dilemma: a choice between a single state with so many Arab citizens as to inevitably dilute the Jewish character of the country, or the insistence of control over but denial of equal rights to millions of Palestinians, diluting if not destroying Israel’s democratic character.
In the sumptuous catalogue for the New York Jewish Museum’s late summer exhibition, Afterlives: Recovering the Lost Stories of Looted Art, on view through January 9, 2022, a cropped image of French artist Pierre Bonnard’s color-diffused painting Still Life with Guelder Roses appears alongside an army photograph of the salt mine in Altaussee, Austria, where the Nazis secreted looted art and other treasures.
As the author of five highly regarded novels, ranging from the award-winning In the Image (2002) to the memorably time-shifting Eternal Life (2018), Dara Horn is recognized as an accomplished fiction writer and as a storyteller who draws inspiration from centuries of Jewish history.