Jewish Film Review | ‘Between the Temples’
A cantor in a crisis of faith finds his world turned upside down when his former grade school music teacher re-enters his life as his new adult bat mitzvah student.
A cantor in a crisis of faith finds his world turned upside down when his former grade school music teacher re-enters his life as his new adult bat mitzvah student.
Fania Oz-Salzberger, Ruby Namdar and Rokhl Kafrissen join in conversation about what it means to adapt Jewish literature for the big screen.
While many Jewish filmmakers choose to write their own material and draft their own stories, others turn to interpretation. This program compares two films that share biographical features, Yentl and A Tale of Love and Darkness. Though released decades apart, both were directed by acclaimed actresses making their directorial debuts, Barbara Streisand and Natalie Portman respectively. These women notably adapted literary works written by men and their star power was critical to getting these films made.
Historian Fania Oz-Salzberger shares personal insights about her father, acclaimed Israeli writer Amos Oz, and his autobiographical novel A Tale of Love and Darkness and author and educator Ruby Namdar considers the film and the legacy of the memoir. Critic and playwright Rokhl Kafrissen explores Yentl, based on a play and short story by Isaac Bashevis Singer.
This program is a collaboration between Moment Magazine and REWIND: The Shenson Retrospective Film Series, a project of Stanford’s Taube Center for Jewish Studies. Both movies can be watched on Amazon Prime.
Israeli director Ruthy Pribar describes her newly released debut feature film Asia as “not easy to watch,” but she hopes it conveys the message that “even when in the darkest part of your life, you can see beauty.”
No one enjoys looking in the mirror more than Hollywood, and no one does it better—as vastly entertaining show-biz movies like Joseph L. Mankiewicz’s All About Eve, Billy Wilder’s Sunset Boulevard and Quentin Tarantino’s Once Upon a Time in Hollywood can all attest. Now comes Mank, David Fincher’s loving and atmospheric re-creation of 1930s Hollywood.