Israeli director Ruthy Pribar describes her newly released debut feature film Asia as “not easy to watch,” but she hopes it conveys the message that “even when in the darkest part of your life, you can see beauty.”
A woman sprawls face-down on a table, her face in a breakfast dish and a banana peel near her knee. Soon she wakes and arises with jerky but highly choreographed movements coordinated with a whimsical soundtrack. She turns on the television, a Japanese announcer appears, shuffling papers, and she quickly shuts it off. As she turns away, the television flicks back on of its own accord, and we’ve entered the slightly magical but recognizable world of an Etgar Keret story, recently made into a short film.
