Film editor Dina Gold reviews the recent Latvian film “The Sign Painter.” The film won four awards at the Latvian National Film Festival.
Israeli director Ruthy Pribar describes her newly released debut feature film Asia as “not easy to watch,” but she hopes it conveys the message that “even when in the darkest part of your life, you can see beauty.”
No one enjoys looking in the mirror more than Hollywood, and no one does it better—as vastly entertaining show-biz movies like Joseph L. Mankiewicz’s All About Eve, Billy Wilder’s Sunset Boulevard and Quentin Tarantino’s Once Upon a Time in Hollywood can all attest. Now comes Mank, David Fincher’s loving and atmospheric re-creation of 1930s Hollywood.
A Fortunate Man, dubbed in English, is long and dark and drags some. Still, it reminds us that—wherever in the Diaspora Jews have settled—there are among us people driven by altruism and a passion for social justice.
Albert Dabah, the writer and director of the truly wonderful drama Extra Innings, has delivered a heartrendingly personal portrayal based on his own life story.
“There are 16 million documents in the Vatican waiting to be read. Maybe one day we will get a deeper understanding of the profound moral questions raised in the film about complicity and silence. It is not only Jews who need answers but also Catholics, who must ask themselves why their church failed to uphold Catholic principles of love and mercy. “
What’s the answer to Chicago’s epidemic of gun crime?
According to Tamar Manasseh, the subject of the new documentary They Ain’t Ready for Me, which chronicles her fight against gun violence on the south side of Chicago, it’s, “Nobody wants to shoot anybody’s mother.”
