Book Review | A Family in Pen and Ink
In the rise and fall of Hitler’s Germany, villains, victims and heroes figure profusely and are easily recognized.
In the rise and fall of Hitler’s Germany, villains, victims and heroes figure profusely and are easily recognized.
Last month, The New York Times published a piece called “Saying Goodbye to Hanukkah.”
Sutzkever’s “essential prose,” which could also be called “prose poetry” or “brief narratives,” has slipped by, little noticed. Until now.
Barack Obama’s transformation from youthful and eloquent U.S. Senate candidate to prime-time sensation and putative presidential timber came at the 2004 Democratic National Convention.
Every movie I watch now is a movie about an entire cast of people who seem to not have cancer, or at least this is, to me, its plot,” Anne Boyer observes in The Undying, her recent Pulitzer Prize-winning inquiry into cancer.
When you start reading a memoir by a former spy, you always hope for descriptions of bloody assassinations, break-ins into banks and embassies, and heart-pounding high-speed chases.
Alicia Ostriker’s new collection comprises selected poems from seven previous volumes. Ostriker has been an important poet for the past 45 years.
If you live long enough, you will notice a paradox of aging: Diminishment of memory can sometimes go hand in hand with a greater capacity for complexity and for the kind of revelation that can be seen only through shadow.
There are many ways to explain the Holocaust. But not many historians have proffered a different theory with each published book.
The first time I read a book by Philip Roth, I read it from back to front.
In his foreword to Linda Sarsour’s memoir of political activism, Harry Belafonte remarks, “It wasn’t that long ago that we lost Martin and Malcom and Bobby.” He is comparing the vilification of Sarsour, the hijab-wearing, Brooklyn-born Palestinian-American, for her anti-Israeli politics to the murderous racist violence of the 1960s. It seems a stretch.