Oscar nominations were announced yesterday, and Jews and Jewish-themed movies, as you might expect, were among the honorees. Woody Allen (yes, he’s Jewish!) racked up four nominations for “Midnight in Paris” (though nothing for Adrien Brody, whose version of Salvador Dali is the only way we want to imagine the artist); “Extremely Loud and Incredibly Close”, based on the novel by Jonathan Safran Foer, is up for Best Picture and Best Supporting Actor; Steven Spielberg’s “War Horse” got a nod for Best Picture, among other nominations (We sneaked into this movie for five minutes before “Tinker Tailor Soldier Spy” and, you know, it’s “War Horse.”); Jonah Hill is up for Best Supporting Actor (making up for the “Superbad” snub, natch); and in the Foreign Language category, office favorite “Footnote” from Israel (a Talmudic thriller? Yes, please!) faces off against “In Darkness,” a Holocaust story from Poland. In our January/February issue, Moment takes a look back at some notable Jewish Oscar winners from the past. Mazel tov to all the nominees!
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During the Red Scare and Hollywood blacklist period of the late 1950s, thousands of Americans, many of them Jews, were persecuted for their political beliefs, imperiling democracy. Pulitzer Prize winning journalist Glenn Frankel, author of three books exploring the making of iconic American movies, including Shooting Midnight Cowboy: Art, Sex, Loneliness, Liberation, and the Making of a Dark Classic, discusses the role of studio moguls, some of whom were Jewish; the damage done by the blacklist; the period’s eerie similarities to our own troubled era; and more. Frankel is in conversation with Margaret Talbot, staff writer at The New Yorker and author of The Entertainer: Movies, Magic, and My Father’s Twentieth Century. This program is part of a Moment series on antisemitism supported by the Joyce and Irving Goldman Family Foundation.
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