Dina Gold reviews the new German language documentary Final Account with never before seen testimony from the last generation of WWII.
When she was growing up in England, Moment senior editor Dina Gold used to listen to her grandmother’s stories about her glamorous life in 1920s Berlin and of her dreams of one day recovering the building which, she claimed, had been stolen from the family by the Nazis, Dina talks about her search to unearth the details of her long-dead grandmother’s claims and the legal case she launched to recover the property.
Few Americans have heard of Besa, but Besa is the reason that during the dark days of the Nazi takeover of Albania not a single Jewish citizen of Albania, nor any other Jew seeking refuge in Albania, was turned over to the Nazis or sent to the death camps.
In 2014, inspired by reading Ackerman’s book, Moment editor Nadine Epstein, visited the zoo as a guest of the foreign ministry of Poland.
In July 1937 Germany’s National Socialist Party opened an exhibition in Munich it termed “Entartete Kunst,” or “Degenerate Art.” Intentionally housed in cramped, poorly lit conditions and awkwardly hung, the works on view were accompanied by inflammatory, denigrating labels. The exhibition was an open declaration of the Nazis’ state-run war on modern art and the effort to impose their officially sanctioned conception of art through propaganda and force.