Analysis | After October 7, Holocaust Literature Will Never Be the Same
Generations of Jewish writers have reckoned with the Holocaust: Now there’s a new trauma to contend with.
Generations of Jewish writers have reckoned with the Holocaust: Now there’s a new trauma to contend with.
Halper’s Books, a favorite literary haunt for international celebrities and local authors alike, and its iconic owner Yosef Halper adjust to a post-October 7 world.
“Ethan, it’s far past time you took a class with Faye. I’ve already told her you’ll be there.”
Authors Ruby Namdar (The Ruined House), Ruth Franklin (A Thousand Darknesses: Lies and Truth in Holocaust Fiction) and Moment editor-in-chief Nadine Epstein (Elie Wiesel: An Extraordinary Life) discuss the enduring power–and perils–of Holocaust fiction.
Moment Magazine-Karma Foundation Short Fiction Contest presents:
Authors Ruby Namdar (The Ruined House), Ruth Franklin (A Thousand Darknesses: Lies and Truth in Holocaust Fiction) and Moment editor-in-chief Nadine Epstein (Elie Wiesel: An Extraordinary Life) discuss the enduring power–and perils–of Holocaust fiction.
Prior to the conversation, the 2020 Karma Foundation Short Fiction Contest winners read excerpts from their stories:
1st place – Omer Friedlander, The Man Who Sold Air in the Holy Land
2nd place – Linda Brettler, Private
3rd place – Rona Arato, Polonaise
Few literary figures have stirred readers’ imaginations as much as Kafka, his tormented life and early death. Indeed, he is viewed as a mythical figure as much as a renowned author. But above all, the bizarre story of how Kafka’s work survived and entered the canon has become a staple of literary legend.
When I was in second grade my mother told me to read upside down. “You’re reading too fast,” she said, “it’s upsetting the teacher.” She had been instructed to do this as a child, and it was only natural for her to pass this wisdom on to me. Even now, I occasionally flip the book over in order to savor the story.