In many ways, Edith Halpert embodied the spirit of American pragmatism, which is how she explained herself: “I either had to stagnate, which was a thing I dreaded, or go ahead, and the only way to go ahead was to do something beyond what I was doing.”
Rudolph “Rudi” Gernreich was one of the most prominent fashion designers of the 1950s, ’60s and ’70s. His revolutionary designs and avant-garde collections embodied his vision of fashion as a liberating force that defied conventional ideas of beauty, identity and gender. “Fearless Fashion: Rudi Gernreich,” on view through September 1 at the Skirball Cultural Center in Los Angeles, is the first exhibition to focus on the social and cultural impact of the influential designer’s body of work.
Lost and Found exhibit at Yeshiva University’s museum traces the story of a photo album smuggled out of Lithuania’s Kovno Ghetto, from its original disappearance through the investigation that found the owner’s descendants teaching Yiddish in the United States.
PREVIEW OF THE CORE EXHIBITION OF THE MUSEUM OF THE HISTORY OF POLISH JEWS
My personal journey to Jewish identity has taken place by way of the past. Like many immigrants from Eastern Europe, my grandparents and great-grandparents rarely spoke of the Old Country, leaving me to spend years trying to piece together the clues. This longing to know more about my family’s origins led me to genealogical research and DNA testing, to towns and shtetls in Ukraine, and to Moment.
Did you ever wonder about the origin of the distinctive round thermostat that regulates the temperature in your home? Or how about the pink Princess phone every teenage girl once coveted or those eye-catching images that promoted such films as The Man with the Golden Arm, Anatomy of a Murder or Exodus? All these items, it turns out, are evidence of the vital role that Jewish architects, designers and patrons played in the development and dissemination of modernism in America.