Interview | Why An Atheist Wrote His Debut Novel About a Religious Family
“When a family member becomes unrecognizable, says Lloyd, “that’s a tragedy, and any effort to make complete sense of it is bound to fail.”
“When a family member becomes unrecognizable, says Lloyd, “that’s a tragedy, and any effort to make complete sense of it is bound to fail.”
In Kantika, Rebecca—who is both a dressmaker and a beauty—is interested in manipulating surfaces and self-fashioning.
A whole generation has gone through the Jewish life cycle with Anita Diamant.
Dan Glickman has done it all – from serving in the U.S. House of Representative to becoming the U.S. Secretary of Agriculture to serving as Chairman of the Motion Picture Association. In his new book, Laughing at Myself: My Education in Congress, on the Farm, and at the Movies, Dan shares how a Jewish midwestern kid with Russian and Eastern European immigrant grandparents made his way from Kansas to Washington, DC and Hollywood and survived to tell the story. Glickman is interviewed by his son, Hollywood producer and former president of MGM Motion Picture Group, Jonathan Glickman. Held in celebration of Father’s Day.
The title of her new book is Caste: The Origins of Our Discontents. It retells the history of American racism from slavery to segregation, from everyday indignities to the use of lethal force. Throughout, she strives to write not of whites and Blacks, but of the majority caste and the minority caste.
Harvard law professor Noah Feldman’s book about Arab political self-determination and self-destruction is called The Arab Winter: A Tragedy. And he really means it. Grief emanates from every line of this reevaluation of the Arab Spring, which revisits the hope followed by disaster in Egypt and Syria; the utopian Islamism that produced the hellish dystopia of ISIS; and, perhaps most painful, the success in Tunisia that showed the other tragedies were not inevitable.
The demolition of a statue, the withdrawal of public adulation for the erstwhile hero the statue commemorates, has echoes of a fundamental Jewish principle: the injunction against graven images.