by Amanda Walgrove
Andy Samberg is one of three geeky brains behind the comedy troupe, The Lonely Island, whose sophomore album, Turtleneck and Chain, was released last month. Along with Akiva Shaffer and Jorma Taccone, the trio is responsible for the hilarious Digital Shorts that interrupt the live performances of SNL. Some have even argued that the videos are the only remaining aspect of the thirty-six year old sketch comedy show still worthy of watching.
Since Samberg emerged on the scene in 2005, his curly hair and prominent nose have made him a Semitic sex symbol for tweens, twentysomethings, and possibly Cougars (Cameron Diaz’s SNL skit said it, not me.) Born David Andrew Samberg, the 32-year-old grew up in a Jewish household and his maternal grandfather, Alfred J. Marrow, served as the executive chair of the American Jewish Congress. Add to that his most charming quality, the one by which he makes a living—his sense of humor—and he’s quite the kugel-eating catch.
In an interview with MSNBC, Samberg noted that he was inspired by funny Jewish forerunners such as Adam Sandler, with his 1993 debut album They’re All Gonna Laugh At You!, along with Mel Brooks and the Marx Brothers. Back in 2008, Samberg told schmooze that he was saturated with Jewish comedy growing up and now, since he considers it family comedy, he tries not to let it inform his own routines: “I’m never laughing when the punch line is something like, ‘Oh, just a couple of Jews!’ To clarify, there’s Jewish comedy and there’s Jewish comedy. If it’s done the right way—it’s funny not just because it’s Jewish, but because it’s really funny—that’s great.”
Executive Producer, Lorne Michaels’ ability to see something valuable in Samberg’s talents prompted him to hire the young stand-up comedian as a cast member, while bringing Shaffer and Taccone onto the writing team. The digital shorts, which the boys produced as side projects without expecting a profit, quickly went viral, and SNL began to reach its young, digitally savvy audience in new ways.
Beginning with their 2009 debut, “Incredibad,” The Lonely Island churned out faux music videos, glorifying the awkwardness of sexual inadequacies and inabilities to impress females. Chock full of parody and self-deprecation, the comedic styling of Samberg and team tug strongly at the Jewish roots of comedy. Their ability to take something conventional, question it and stand it on its head through a satirical filter is the basis of aggadic midrash. Bring musical interludes into the mix and you’ve got yourself a full service.
Boosting their commercial value, the off-beat videos have developed a reputation of being star-studded, boasting surprise guests such as Justin Timberlake, Nicki Minaj, Lady Gaga, Michael Bolton, Rihanna, Susan Sarandon, and T-Pain, who are equally willing to make fools of themselves. Natalie Portman famously satirized her own goody two shoes, Jewish girl image in her video, “Natalie’s Rap,” where her SNL alter-ego dropped a few beats about engaging in criminal activities while at Harvard.
The Lonely Island has parodied rappers, hip-hop songs, Rastafarians, 80’s R&B, “Creeps” (aka John Waters), and E.T. on their debut album cover. While the structure of their creations pays homage to Samberg’s comedic ancestry, the young pop culture sensation has yet to take a direct comedic crack at the Jews—not even a klezmer parody. He’s not looking to overdo the stereotypical Jewish punch line. Then again, Sandler debuted his acclaimed Hanukkah song on SNL; we trust that Samberg can find his own clever spin, too.