Rachel Gross
One of the lesser-known heroes of World War II was Jan Karski (1914-2000), an officer in the Polish Underground resistance who infiltrated the Warsaw Ghetto twice… This past April, actor David Strathairn took on the role of Karski in a dramatic reading of Derek Goldman’s play, Remember This: Walking with Jan Karski, at Georgetown University in Washington, DC.
PREVIEW OF THE CORE EXHIBITION OF THE MUSEUM OF THE HISTORY OF POLISH JEWS
My personal journey to Jewish identity has taken place by way of the past. Like many immigrants from Eastern Europe, my grandparents and great-grandparents rarely spoke of the Old Country, leaving me to spend years trying to piece together the clues. This longing to know more about my family’s origins led me to genealogical research and DNA testing, to towns and shtetls in Ukraine, and to Moment.
Erica Wagner
Creating art from the events of the Holocaust remains as daunting as ever. Soon, those awful events will move beyond the reach of living memory while the need for testimony grows more pressing, not less. But the responsibilities of art are different from those of history: Theodor Adorno’s much-misrepresented dictum that “it is barbaric to write poetry after Auschwitz” can simply be used as a lazy shorthand for refusing to engage with difficult and challenging creations.
At the very beginning of his probing, disturbing account of the Nazis’ destruction of Dutch Jewry, Bernard Wasserstein asks what is no doubt the most terrible question that can be posed about Jewish behavior during the Holocaust: “Confronting the absolute evil of Nazism, was there any middle road between outright resistance and abject submission?”
Once a radical Fatah leader, the Palestinian professor has come under fire for taking his students to Auschwitz to teach reconciliation.
In July 1937 Germany’s National Socialist Party opened an exhibition in Munich it termed “Entartete Kunst,” or “Degenerate Art.” Intentionally housed in cramped, poorly lit conditions and awkwardly hung, the works on view were accompanied by inflammatory, denigrating labels. The exhibition was an open declaration of the Nazis’ state-run war on modern art and the effort to impose their officially sanctioned conception of art through propaganda and force.
Rachel Gross
My parents were Polish-Jewish Holocaust survivors who fled World War II and ended up in Mexico, where my sister and I were born. They lost most of their families. My mother had only a brother, an uncle and a cousin who survived, while my father only a sister and two cousins.
Rachel Gross
Richard Bernstein reviews two new works on anti-Semitism by Edmund Levin and Daniel Jonah Goldhagen.
By Konstanty Gebert. Over the past few years, a series of books has brought to the attention of English-speaking readers the morally challenging, historically important and often overlooked or forgotten story of the Polish contribution to the Allied war effort in World War II, and of the terrible fate of the Poles under German rule.
