In July 1937 Germany’s National Socialist Party opened an exhibition in Munich it termed “Entartete Kunst,” or “Degenerate Art.” Intentionally housed in cramped, poorly lit conditions and awkwardly hung, the works on view were accompanied by inflammatory, denigrating labels. The exhibition was an open declaration of the Nazis’ state-run war on modern art and the effort to impose their officially sanctioned conception of art through propaganda and force.
An investigation into the religious roots of the symbols for hugs & kisses.
Richard Bernstein reviews two new works on anti-Semitism by Edmund Levin and Daniel Jonah Goldhagen.
As the Internet has expanded the frontiers of 21st-century freedom of expression, it has given rise to new opportunities for hate speech. // But what constitutes hate speech, which broadly refers to language that incites prejudice against racial, religious and ethnic groups and is legislated and regulated by governments around the world? There is no one definition.
