Bell Man

One of the last in a lineage of great Jewish violinists, this “farm boy” of the American heartland drives a Porsche and plays the world’s most famous “Jewish” violin. Joshua Bell’s tall frame tilts sideways on the sleek gray banquette of the Tamarind Tea Room, a tiny, elegant cafe near his loft in Manhattan’s Gramercy Park neighborhood. At the moment, Bell looks more jaded rock star than emotive violin virtuoso. He’s wearing a green thermal shirt and jeans and he seems sleepy, with a bit of bedhead in his trademark bangs. “Their teas are really good,” he offers softly, pouring himself chai from an earthenware Japanese teapot. I ask if he’s jet-lagged, knowing that he’s on the road 200 days a year performing at sold-out concerts. Bell, 39, begins to explain that, yes, he’s been “crashing” at home...

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Uncle Xenon: The Elemental Oliver Sacks

Oliver Sacks opens the door of his lower Manhattan apartment himself because his assistant, Kate Edgar, is in the emergency room with a twisted ankle. He looks somewhat befuddled, although he is expecting us. He is neither tall nor short, slightly round in the middle and wearing a button-down shirt, one middle button undone. His shyness, which is legendary, is evident from the moment he greets us, as he steps back awkwardly to make room for us to come inside. My 15-year-old son Noah is with me, skipping school for the opportunity to meet the writer behind The Man Who Mistook his Wife for a Hat, An Anthropologist on Mars, the new Musicophilia: Tales of Music and the Brain and other volumes. Using the old-fashioned but powerful technique of medical narrative, with patients as heroes, Sacks’s work has bridged the...

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